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No boundary goes uncrossed, because no man can resist her she is Madonna, the whore, and Lolita. Cathy has twisted sex not just with her brother, but with the older doctor who later adopts her and Chris and their younger sister, and with her mother’s second husband.
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The girl in Judy Blume’s Forever has prosaic sex with a boyfriend who calls his penis Ralph. I don’t think that I encountered another character like her in my preteen reading. For a lot of us, she may have been the only such outlet. She gets to act out all of an 11-year-old girl’s worst fears about sex, without becoming evil.
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Cathy is full of guilt and shame and yet never really is responsible for her transgressions, given how she’s been treated. Granted, by then Cathy and Chris have been locked in a room next to the attic for three years by their still-sexualized but neglectful mother and their sadistic grandmother, who never misses an opportunity to call the kids the “devil’s spawn.” But the absurdity is also part of the whole bizarre appeal. Maybe this is an idea that’s more horrifying to read about as a parent than as a child, but giving Pullman to my still-small sons, even a couple of years from now, is an experiment I’m not about to conduct.
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But it’s a complicated and dark and unsettling coming-of-age, with grotesquely ruthless parents who threaten to sever children from their souls. It tells the growing-up story of Lyra and Will, Pullman’s wild and enterprising child characters. In some ways, the trilogy is part of the coming-of-age tradition of literature for young teens (and inevitably, somewhat younger kids, too). Pullman’s work is a hybrid: It’s sold to adults as complex fantasy, and to the 12-year-old crowd as Harry Potter-plus. It’s that I loved the books so much that I don’t want any actors or special effects, no matter how well-cast and well-rendered, interfering with my own imaginings.īut the depth of my Pullman devotion doesn’t make me want to give his books to my two boys, who are near his intended audience.
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I’m pretty sure that I’m not going to go see the new movie based on The Golden Compass, the first novel in Philip Pullman’s transcendent trilogy, His Dark Materials.